Viña Galvana by Delgado Zuleta


This week I was invited to a cata for this year’s edition of Bodegas Delgado Zuleta’s D.O Cádiz white wine Viña Galvana. Delgado Zuleta is of course best known for its sherries (it’s said to be the oldest bodega in the marco de Jerez), especially Manzanilla La Goya, but also produces local white wines.

The 2017 Viña Galvana (85% Palomino Fino and 15% Moscatel) is a fresh, light wine with a bright pale gold colour and a touch of fruitiness, and pairs well with fish and seafood. Really a perfect summer wine. The label pays tribute to one of Sanlucar’s most popular events, the annual horse races on the beach which take place every August. The cata was presented by Jorge Pascual, the Director-General of Delgado Zuleta and enologist José Antonio Sánchez Pazo, with promotion by @ProbandoGastro.

The event was hosted by Cinta Romero and her team at La Cochera del Abuelo, who also provided a light post-cata lunch. Thanks to everyone who helped organise this very pleasant event.

Palacio de las Dueñas

The Palacio de Las Dueñas is the Seville home of the Dukes of Alba, and until her recent death, of Cayetana, the 18th Duchess of Alba. Last year the house was opened to the public, and recenly I took a rather delayed opportunity to see it for myself.

The palace was originally built in the 15th century by the Pineda family, one of the original aristocratic houses of Seville, and was named for the adjacent Monastery of Las Dueñas (finally demolished in 1868). In 1496 the house was sold to Doña Catalina de Ribera, widow of Governor Don Pedro Enriquez, according to legend in order to pay for the ransom of Don Juan de Pineda, taken prisoner by the Moors during the wars against Granada. In 1612 it passed by marriage to the family of the Dukes of Alba, where it has remained ever since. In the 19th century parts of the palace were converted for a time into a boarding house, and Antonio Machado, probably Seville’s most famous poet, was born here in 1875.

From the outside, despite a substantial entry gate with a glimpse of garden beyond, it’s only moderately impressive, and it’s full extent really only becomes apparent once you pass inside. The main palace is essentially Renaissance, and built around three sides of the central courtyard (the fourth side giving onto the gardens), with additional wings and courtyards, and surrounded by gardens and outbuildings. Despite being near the city centre it’s an oasis of peace, calm and greenery, and it’s easy to appreciate why the family loved the place so much.

The tour begins in the front garden courtyard, where our handy audio guide explains some of the history of the Palace. Ahead of us is the apeadero, a typical feature of all grand houses, where visitors would have alighted from their carriages, but our route takes us off to the right to the stables, and through to the famous garden of the lemon trees immortalised by Machado. From there we come to the central courtyard, the heart of the old palace. This is built on two floors in the Gothic-Mudejar style with the typical columns, arches and decorative plasterwork of the period. In one corner the principle staircase, adorned with tapestries and with an outstanding ornate coffered wood ceiling, leads up to the private residence of the Dukes of Alba (not open to the public).

Arranged around the courtyard on the ground floor are a number of rooms that traditionally formed the public part of a late mediaeval palace. These include the chapel and is antechamber, where the extended family and their friends would gather for religious occasions, the Flamenco room, complete with a tablao for dancing, and of course, a library. All these rooms also serve to house an important collection of art and furniture collected over the centuries.

Tucked away beyond these are the Olive Oil Patio (so named because it was once used for storing olive oil), and the quiet space of the Santa Justa garden, which has a picturesque creeper clad balcony overlooking one corner, one of my favourite places in the palace.

The Palacio de las Dueñas is almost like a bridge between times present, and times past (at least if you were wealthy), and offers one of those rare glimpses into another style of life. It’s well worth a visit.

Calle Dueñas 5
Sevilla
Tel: +34 954 214 828
Palacio de las Dueñas Website

III Feria del Pan, Aceite & la Aceituna

This weekend you can pop over to the lovely Patio de la Diputación in Sevilla to sample the best of olive oils, olives and bread and learn about their production at the III Feria del Pan, Aceite y La Aceituna.

Patio de la Diputación
Menéndez Pelayo 32
May 19th – 21st
Friday 15.00 – 20.00
Saturday 11.00 – 14.30 / 16.00 – 20.00
Sunday 11.00 – 18.00

Bodegas Lustau | Vermouth with a View

After a period of decline, vermouth (a fortified aromatic wine) has been enjoying something of a comeback recently, with a number of producers entering the market with a variety of “craft” vermouths. One of these, the respected sherry-house Lustau, brought out its first red vermouth at the end of 2015, and has followed it up with a white vermouth, launched in Sevilla at a special event on May 10th.

I was fortunate enough to receive an invitation, which also resulted in another first, as the presentation was being held in the new Sevilla Tower across the river next to the old expo site. Personally I think the building is an eyesore on the Sevilla skyline, but I have to admit the view from the 21st floor (halfway up) was pretty spectacular, and as usual at these events I met up with some old friends and made some new ones.

Lustau white vermouth: fino & moscatel

Stars of the show were, of course, the two Lustau vermouths. The new white vermouth is blended from fino and muscatel sherries, and is slightly less sweet than the existing red, which is blended from amontillado and PX sherries. Both are flavoured with a variety of aromatic botanicals and spices. I think the red is still my favourite (although a close decision), but if you haven’t caught the vermouth bug yet try one of these in your local bar. You might well become a convert.

Lustau red vermouth: amontillado & pedro ximénez

Lustau reps Estanis Bobadilla & Juan Mateos Arizón

vermouth cocktail recipes

Bodegas Lustau

Hospital de los Venerables – Velázquez & Murillo

This year is the 400th anniversary of the birth of Bartolome Murillo, probably Sevilla’s most famous painter, and has been officially declared the Year of Murillo. As part of the commemorations the Fundación Focus-Abengoa, in collaboration with the Prado Museum, London’s National Gallery, and others, has organised a very special exhibition comparing the work of Murillo and Sevilla’s other most famous painter, Diego Velázquez.

velazquez murilloThe two painters, born in Seville a generation apart (Velazquez in 1599 and Murillo in 1617), and having their formative influences there, nevertheless had quite different career trajectories, Velazquez leaving Seville to work at the Spanish court in Madrid in 1623, while Murillo spent his entire working life in Seville. It’s not known whether the two ever actually met in person (though they must have been aware of each others’ work), but while there is no record of a meeting, it’s not impossible as Murillo visited Madrid on several occasions, although art experts think that there was only limited reciprocal influence.

santa rufinaSanta Rufina by Murillo (left) and Velázquez (right)

However, it’s clear from the 19 paintings in the exhibition, 10 by Murillo and 9 by Velázquez, that there were common influences in the cultural world of Sevilla in the 17th century. This shows itself in both the choice (or commissioning) of subjects, especially in religious subjects pertaining to Sevilla such as the Saints Justa and Rufina and the Immaculate Conception, as well as of Saint Peter and the Adoration of the Magi, and the highly naturalistic style of the scenes of everyday life.

day to day lifeEveryday scenes by Velázquez (left) and Murillo (right)

It’s also appropriate that the exhibition is being hosted in the Venerables Hospital, a building that is of the early 17th century, and which has both a historical and current associations with the two painters. Around mid-January the exhibition, which continues until February 28th, surpassed the 50,000 visitor mark.

Velásquez | Murillo | Sevilla
Hospital de los Vernerables
Plaza de los Venerables 8
Open 10.00 – 18.00 (last entrance at 17.30)
General Admission: 8 euros
Free Admission Tuesday 14.00 – 18.00